1961, 58 mins


Robert Drew

Executive Producer

Richard Leacock


D.A. Pennebaker


Bill Ray


Abbot Mills


Albert Maysles


James Lipscomb


Gregory Shuker


Larry Moyer


Robert Farren


Anita Posner


Joseph Julian


Time Inc.


Drew Associates



"The repetition could have appeared monotonous were it not for the thrilling specificity of each of the moments.... What the "truth-camera" permits is essentially to recapture the unity of each moment of a human life, of concrete reality in its absolute originality."

Albert Cervoni, France Nouvelle

"It is a cinema which involves art as well as the soul"

Claude Mauriac, Figaro Litteraire

"The filming methods are directly related to 'television-style' and documentaries of this type are the only valid contribution made by television"

Marcel Martin, Cinema 62

"An extraordinary enterprise, in the truest sense of the term"

Albert Cervoni, France Nouvelle

For “Eddie,” Drew Associates returned to Indianapolis Speedway for the 1961 running of the Indy 500. Beloved auto racer Eddie Sachs again won the pole position by delivering the fastest time in the prelims and, on the big race day, Drew’s cameras again rode with Sachs. The new footage was combined with highlights from Drew’s 1960 film about Sachs, “On The Pole,” and the completed film was a mix of black-and-white and color scenes.

“Eddie” was not broadcast in the U.S. until 1964, but it caused a sensation in Europe the year after it was made. “Eddie” was invited for a special four-week run, along with Drew films “Primary” and “Kenya,” at the avant-garde Cinema La Pagode in Paris in March, 1962. Paris critics polled by Cahiers du Cinema, the Bible of the French New Wave, rated it the best film to open in the city between January and April that year, beating out “West Side Story.” The Paris film world declared the films to be revolutionary and the techniques were soon copied by feature film directors.

A sampling of the raves:

“This is a bold enterprise and all the more so as these documentaries were designed for television, and it is surprising to realize that they lose nothing of their ‘punch’ on the large screen. This is, in effect, a new form of journalism, and great journalism at that.” — Louis Marcorelles, Les Nouvelles Litteraires

“Richard Leacock, Robert Drew, D.A. Pennebaker are in the process of revolutionizing the art. The revolution is comparable to that which occurred after 1880 in photography…” — Georges Sadoul, Les Lettres Francaises

“…remarkable documentaries opening new perspectives proving that good television can also make good films…. It is impossible to fully describe these films in writing, however many pages one used, as the spectator will find a greater wealth of material and infinitely more to them in their visual form.” — Francois Maurin, L’Humanite-Dimanche

“…something very different from what is usually shown on either the small or the large screen…events recorded as the actually happen. The construction and editing give us something far more exact and precise than ordinary reporting…film that holds the audience’s unslackening interest…a special atmosphere creating intense emotion…” — L’Equipe

“Eddie” was eventually broadcast in the U.S. in syndication on the Time-Life and RKO-General Stations, among others, in December, 1964. It was part of “The Living Camera,” a series of Drew Associates’ films that included “Nehru,” “Jane,” “David,” and others.

A final re-make of the film, called “On The Pole: Eddie Sachs,” involved minor edits and added a coda describing Eddie’s death in a fiery, seven-car crash at the 1964 Indianapolis 500. It was released on DVD in 2013 and is available for streaming on SundanceNow.com.

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