Life and Death of a Dynasty

1991, 90 mins


Anne Drew


Robert Drew


Susanne Rudolph

Creative Consultant

Lloyd Rudolph

Creative Consultant

James Gregware


Coulter Watt

Cameraman - Rajiv segment

J.N. Sharma

Cameraman - Indira and Rajiv segments

Sidney Reichman

Cameraman - Rajiv segment

M.K. Rao

Cameraman - Rajiv segment

Tom McDonough

Cameraman - Indira segment

Mark Shelley

Cameraman- Indira segment

Richard Leacock

Cameraman - Nehru segment

Sidney Lubitsch

Cameraman - Chicago

Robert Drew

Additional Camera

Gregory Shuker

Field Producer - Nehru segment

Pamela Liebson

Assistant Editor

Suresh Shottam


Lewis Freedman

Executive Producer

Robert Drew

Executive Producer

Rajiv Gandhi



1991 Cine Golden Eagle


"It's an insightful, personal work"

Kay Gardella , The New York Daily News

"The program is enriched by the photography of Robert and Anne Drew; in 30 years on the job, they managed to get remarkably close to their subjects.... The program's specialty is its intimate glimpses"

Walter Goodman, The New York Times

"Intimate scenes of Nehru, Indira and Rajiv...make this documentary a collector's item"

Kay Gardella, The New York Daily News

Combining three decades of footage, Robert and Anne Drew present a unique and intimate look into one of the greatest political dynasties of all time, the Nehru-Gandhi family in India. Shot mostly in cinema verite style, though combined with some interviews, “Life and Death of a Dynasty” traces the differing political and personal styles of three generations of leadership that shaped modern-day India. The philosophical Jawaharlal Nehru; his daughter, the power-wielding Indira Gandhi; her son, the reluctant Rajiv — all come alive in front of the lens, as the camera moves fluidly between public appearances and private family moments.

Richard M. Weintraub, writing in The Washington Post, noted one of the many subtleties in the film: “The Drews use one of India’s most enduring traditions — the colorful Republic Day parade — to link the generations represented in the dynasty. The parade is one in which some things, such as the Rajasthan Camel Corps, do not change, but others, such as the increasingly modern tanks and aircraft, do. In a film full of symbols of continuity and change, the Drews have picked an apt one to carry their theme.”

Anne Drew, who co-produced and was the driving force behind the film, explained its title in an interview in April 1991 with India Abroad: “The ‘life’ in the title refers to the spontaneity and humanity seen in Nehru, and later in Indira Gandhi, and still later in Indira’s son Rajiv,” she said. “The reference to death recalls the downfall of the dynasty in the crushing defeat Rajiv suffered in 1989.”

Thought meant to be symbolic, the title became a punctuation point of tragedy. When the film aired on PBS on May 24, 1991, it was just hours after the Rajiv Gandhi’s funeral; Gandhi had been assassinated in a politically-motivated suicide bombing, less than seven years after his mother suffered the same fate, gunned down by two of her own bodyguards.


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